The most annoying thing about writing I always find is that
it’s true. Once one gets going, one
is apt to discover that one has acquired an acute case of diarrhea of the
fingers, as it were. I mean, I say this with the utmost respect to Ms.
Morrison, but not everyone is her. Not everyone is in their twenties when they
have children, feeling frustrated and paled in the way of one’s ego, by the
vicissitudes, hell, demands of motherhood, and then still feel fresh and
healthy enough to stay up into the wee hours of the night cribbing out in
longhand all these crazy feelings into a cohesive, if not coherent, singular
narrative.
I mean, I don’t know about other people, but if I stay up
much past eleven, I fall spontaneously asleep. I’m liable to fall on my cute
little pert nose—I’ve got one of those because, like most American-Chinese, I’ve
not got a high bridged nose—in an episode of spontaneous snoring. I don’t
snore, certainly not, but I think you get my drift.
In fact, I am overly fond of sleep, not the least of which
reason is I actually get so little of it, what with a toddler sharing my room
and all. And a husband who, when tired, snores. I wear ear plugs, but after
all, those only cancel out so much noise.
So I’m constantly tired. I mean the kind of tired that could
be, and indeed has been, diagnosed as Chronic Fatigue and that sort of thing. In
other words, I’m clinical. No, don’t go there. I’m trying to be clever with my
words now.
Of course, this is why writers get together with other
writers. To essentially buck each other up, copy each other’s styles—yes they
do, think of Mr. Narnia and his crew, Ginsberg and that whole murder mystery in
real life, and Woolf and her gang—writers like doing that sort of thing. Mostly.
And we all know that each one of those bastards would go home, smoke a ciggie
and think, “What shit so-and-so wrote!” which would spur them on and make them
feel eminently better about their own drivel.
It’s what writers do.
Except this one. I’m not a joiner. Not in the least. I’ve
got a writer. I live with him. Have done for years. When we first began dating,
his attempts at being my “writer group” failed so miserably, not the least of
which reason is I hate criticism. I hate it. I don’t care. Thin skin. It’s because
of racism. Yes, yes, you simply must hear this.
Racism is something no white person in this country will
ever understand. Not unless they go, at a young age, to some country where they
look down on white people. So, like Japan. Not China, Japan. They think you’re
amusing, will adore you to your face but never let you in. It’s not like sexist
discrimination. Not like gay-bashing. Not like fat-bashing. It’s like nothing
any white person will ever experience. Why not? Because at the end of a very
long day of some kind of bashing, they can still go home and know that you know
what? Their people subjugated, exploited, raped and pillaged countries and
rebuilt the borders of whole African nations. That for hundreds of years, their
ancestors did this. It’s embedded in global history. No other discrimination
has done this. None. And because racism is embedded in this country of the
United States, you fear for your life from the moment, the moment, you step into social life when you are the victim of
racism. Not so with any other kind of discrimination.
So having grown up with racism, you get a really thin skin. Oh,
you learn to deal with the fear for your life, from when you are conscious, you
learn to smile, take it. But you have a thin skin. Because you know suffering. You know pain. And if you’re like me, being cursed with empathy and
insight from that same time, your skin is even thinner.
So I hate criticism. Like the racism, I deal with it. But I hate
it. and I certainly don’t like it when I disagree with it.
So I crib on my own. Deal with my own writing. Edit. Critique.
Do the worst. And I’m smart enough to be able to mimic a lot of different
styles. If I read a book of Bill Bryson’s, I can do his style after. I can do
Dava Sobel, though less well. I can do E.M. Delafield and that writer of Jeeves
and Wooster, Wodehouse. I can even do a bit of Maureen Howard, that mercurial
writing that seems so deep, you’ve got to read it five times and you still don’t
get it. I can’t do Pat Barker, but then I don’t want to. You see where I’m
going? I’m smart enough to absorb the
style and I’ve got the insight to do it.
It’s just that I’ve got this pain. This pain they don’t
have. As white people in white countries, they haven’t got it. My husband said
it best, “I can never know it. I can sympathize. But I can’t empathize. Because
I have privilege that I know I don’t even know I’m enjoying most of the time. Until
you point it out.”
And that’s what it’s about. The hyper-vigilance. That is
something Euro-Americans don’t and will never have. They aren’t born into
circumstances that make them need it. They’re privileged. And they don’t even
know it.